Christine Giorgio has worked with numerous artists and filmmakers as both an editor and producer.  In 2005 she served as Post-Production Supervisor and Staff Editor at the non-profit organization Film/Video Arts.  The organization, founded in 1968, had a prestigious reputation for serving the independent film community in New York City.  Though the slashing of arts funding soon left Christine without a full-time position, the relationships she cultivated with some NYC’s most talented filmmakers there allowed her to make the jump to freelance editing and soon producing.  From 2005 to 2007, she produced and edited web videos for the New York Philharmonic.  She worked with Teddy-award winning filmmaker Daniel Stedman as both editor and associate producer on his short film MOTHER (12min, 35mm, 2006).  She has also edited various television and film work director Paul Borghese, including DINNER WITH THE FOODFELLAS.  As a producer, Christine collaborated with documentary filmmaker Maria Yatskova on the filming of a live performance of Beethoven's Missa Solemnis.  She also served as an additional editor on Yatskova's feature documentary MISS GULAG (62 min, 2007).  In early 2007, Christine joined with artist and film director Erika Yeomans to found the Sag Harbor Lab, a fiscally sponsored endeavor for developing short film/video projects.  Through the Lab, Christine produced and directed THE BITTER END (16mm short film) and produced BOO! (HD short), a film directed by Yeomans.  Most recently, Christine produced the feature film written and directed by Marlene Rhein, THE BIG SHOT-CALLER (90min, HD, 2008), which is currently making its rounds on the festival circuit worldwide.  Currently, she is doing the festival dance with her short film THE BITTER END and is in pre-production on a new short from fashion designer turned filmmaker Tomer Gendler.